{"id":3786,"date":"2023-11-21T21:36:24","date_gmt":"2023-11-21T20:36:24","guid":{"rendered":"https:\/\/www.prendstadose.fr\/?p=3786"},"modified":"2024-09-23T11:05:38","modified_gmt":"2024-09-23T09:05:38","slug":"portraits-de-jeunes-libanais-ghida-les-abeilles-du-akkar","status":"publish","type":"post","link":"https:\/\/www.prendstadose.fr\/index.php\/2023\/11\/21\/portraits-de-jeunes-libanais-ghida-les-abeilles-du-akkar\/","title":{"rendered":"Portraits de jeunes libanais (\u2153) : Ghida, les abeilles du Akkar."},"content":{"rendered":"

 <\/p>\n

J\u2019ai v\u00e9cu 4 mois au Liban, alors en rep\u00e9rage pour le film <\/span>Youth Visions.\u00a0<\/span><\/a><\/span><\/p>\n

Vous trouverez d’innombrables articles sur ce pays qui passionnent autant les amoureux de g\u00e9opolitique que les jeunes cin\u00e9astes. Loin des analyses \u00e9conomiques, politiques, d\u00e9mographiques, qui pointent du doigt cette situation impossible, je prendrai le parti de vous parler du Liban \u00e0 travers des tranches de vie de ses habitants. Des portraits d’individus qui ont comme points communs leur jeunesse et l\u2019impossibilit\u00e9 de fuir. De jeunes femmes et hommes \u00e0 la recherche d\u2019ancrages dans un pays \u00e0 la d\u00e9rive.\u00a0<\/span><\/p>\n

Ce que je dis dans cet article n’engage que moi et le Liban ne se d\u00e9crit pas avec exhaustivit\u00e9 \u00e0 travers quelques rencontres et amiti\u00e9s naissantes. Il y a des demi v\u00e9rit\u00e9s, des faits incomplets, peut-\u00eatre aussi un peu de fiction. Le risque serait de blesser par mon ind\u00e9licatesse – \u00e0 travers des tranches de vies parfois tristes et parfois joyeuses – des femmes et des hommes qui vivent dans ce contexte impossible. Et je m\u2019en rends \u00e0 la nuance et l\u2019intelligence du lecteur pour m\u2019aider \u00e0 saisir avec justesse ces quelques lignes.\u00a0<\/span><\/p>\n

La playlist Spotify \u00e0 \u00e9couter en lisant l\u2019article : Liban\u00a0<\/a><\/span><\/strong><\/h2>\n

 <\/p>\n

I spent 2 months in Lebanon, scouting for the film Youth Visions.\u00a0<\/span><\/em><\/span><\/p>\n

You’ll find countless articles on this country, which fascinates lovers of geopolitics and young filmmakers alike. Far from the economic, political and demographic analyses that point the finger at this impossible situation, I’m going to tell you about Lebanon through slices of the lives of its inhabitants. Portraits of individuals who share two main things : beings young and caged in their country. Young men and women in search of anchorage in a country adrift.\u00a0<\/span><\/em><\/span><\/p>\n

What I say in this article is my personal opinion, and Lebanon cannot be described exhaustively through a few encounters and new friendships. There are half-truths, incomplete facts and perhaps also a little fiction. My indelicacy would run the risk of damaging the decency of the men and women who survive in this impossible context –\u00a0 through slices of life that are sometimes sad and sometimes joyful. And I rely on the reader’s nuance and intelligence to help me capture these few lines accurately.<\/span><\/p>\n

Spotify playlist to listen to while reading the article: <\/span>Lebanon<\/a><\/strong><\/span><\/em><\/span><\/p>\n

 <\/p>\n

\"\"

Tripoli, Liban<\/p><\/div>\n

 <\/p>\n

Portraits de jeunes libanais (\u2153) : Ghida, les abeilles du Akkar.\u00a0<\/b><\/span><\/p>\n

Portraits of young Lebanese (\u2153): Ghida, the bees of Akkar.<\/i><\/b><\/span><\/p>\n

 <\/p>\n

J\u2019ai rencontr\u00e9 Ghida alors que nous organisions un casting au Liban. Nous cherchions des femmes qui, au-del\u00e0 d’appara\u00eetre dans le film, deviendraient des ambassadrices pour porter la voix des jeunes oubli\u00e9s.\u00a0<\/span><\/p>\n

Nous \u00e9tions log\u00e9s \u00e0 Sourat, \u00e0 2 heures de Beyrouth en longeant la c\u00f4te, dans un ancien\u00a0 orphelinat tenu par des bonnes s\u0153urs. Ce lieu offrait l\u2019espace n\u00e9cessaire \u00e0 nos activit\u00e9s ainsi qu\u2019une vue d\u00e9gag\u00e9e sur les collines, qui m’\u00e9voquaient un paysage de Provence, o\u00f9 l\u2019on aurait remplac\u00e9 les cigales par les pri\u00e8res orthodoxes de l\u2019\u00e9glise voisine.\u00a0<\/span><\/p>\n

 <\/p>\n

I met Ghida when we were organizing a casting session in Lebanon. We were looking for women who, beyond just starring in the film, would become ambassadors and carry the voice of a forgotten generation.\u00a0<\/span><\/em><\/span><\/p>\n

We stayed in Sourat, a town located two hours away from Beirut along the coast, in a former orphanage run by nuns. The place allowed\u00a0 the space we needed for our activities, as well as an unobstructed view of the hills, which reminded me of a landscape in Provence (region in the South of France), where the cicadas would have been replaced by Orthodox prayers from the nearby church.<\/span><\/em><\/span><\/p>\n

\"Centre

Green Village LP4Y, Sourat, Liban<\/p><\/div>\n

\"\"<\/p>\n

Alors que le casting prenait fin, nous devions reconduire nos invit\u00e9es chez elles. Ghida \u00e9tait ma co-pilote dans le trafic de Tripoli puis sur les routes esquint\u00e9es du nord du Liban. Elle parlait bien anglais et nous proposa de revenir le week-end suivant pour rencontrer sa famille et visiter son village. Nous l\u2019avions d\u00e9pos\u00e9e proche d\u2019une station service de la route principale avant de faire demi-tour. U<\/span>ne chanson de Shab Abed<\/span><\/a> gr\u00e9sillait dans les enceintes du van.\u00a0<\/span><\/span><\/p>\n

Une semaine plus tard, nous parcourons avec des amies – Mathilde, fran\u00e7aise qui fait partie de l\u2019\u00e9quipe du film et Micha, Libanaise et traductrice \u00e0 son insu – les routes enla\u00e7ant les collines d’oliviers de <\/span>Dwer Adawieh<\/span><\/i>. Sur notre chemin nous prenons en stop une femme qui revient du march\u00e9. Des stands de fruits et de l\u00e9gumes s’\u00e9talent le long de la route principale, aux abords des camps de fortune des Syriens. La fronti\u00e8re avec la Syrie est \u00e0 moins de 20 kilom\u00e8tres. Parmi les r\u00e9fugi\u00e9s, nombreux sont ceux qui travaillent la terre. L\u00e9galement, cela fait partie des seules activit\u00e9s qu\u2019ils peuvent pratiquer dans la r\u00e9gion, avec la construction et les m\u00e9tiers de l’entretien. Des enfants marchent le long des routes, souvent seuls. Ils rient, courent, se chamaillent, pleurent puis repartent en courant quand ils r\u00e9alisent que personne ne porte attention \u00e0 eux. Ils ont les genoux cro\u00fbteux et les yeux curieux. Je tiens des deux mains le volant par peur que, lanc\u00e9 dans une acrobatie rocambolesque, l’un deux finissent par se jeter sous mes roues.\u00a0<\/span><\/span><\/p>\n

 <\/p>\n

As the casting session was ending, we had to drive our guests back to their homes \/ place. Ghida was my co-pilot in the middle of the Tripoli jamand then on the bumpy roads of northern Lebanon. She spoke good English and invited us back the following weekend to meet her family and visit her village. We dropped her off near a service station on the main road before turning back. A Shab Abed song was crackling through the van’s speakers.\u00a0<\/span><\/em><\/span><\/p>\n

A week later, we were driving with friends – Mathilde, a Frenchwoman who is part of the film crew, and Micha, a Lebanese woman\u00a0 who ended up having to play the role of thetranslator – along the roads circling the olive-grove hills of Dwer Adawieh. On our way, we picked up a woman on her way back from the market. Let me depict the scenery\u2026 <\/span>
\n<\/span>Fruit and vegetable stalls line the main road, on the edge of the improvised Syrian camps. The border with Syria is less than 20 kilometers away. Many of the refugees are field workers. Legally, this is one of the only activities they can carry out in the region, along with construction and cleaning jobs. Children walk along the roads, often alone. They laugh, run, cycle, cry and then run off again when they realize no one is paying attention to them. They have crusty knees and curious eyes. I hold on to the steering wheel with both hands for fear that one of them will end up throwing himself under my wheels in some crazy stunt.<\/span><\/span><\/em><\/span><\/p>\n

 <\/p>\n

\"Enfants

Camp Syrien, Liban<\/p><\/div>\n

 <\/p>\n

Une all\u00e9e en brique nous emm\u00e8ne au devant d\u2019une large maison de pierres, avec une terrasse qui surplombe la vall\u00e9e. Ghida nous fait de grands signes. Nous sommes accueillis par ses parents et sa petite s\u0153ur Lyn. Je tente de me pr\u00e9senter dans un arabe superficiel. Tout le monde s\u2019en amuse, la bonne humeur ambiante fait de l\u2019ombre au soleil.\u00a0<\/span><\/p>\n

Nous nous installons \u00e0 l’ext\u00e9rieur, entre la cuisine et un muret recouvert d’imposantes pommes de pins. J\u2019en saisi une et Oumayma, la m\u00e8re de Ghida, insiste pour me la donner. Elle m\u2019explique que les graines de cette pomme forment des pignons que je m’empresse de grignoter.\u00a0<\/span><\/p>\n

 <\/p>\n

A brick driveway takes us to the front of a large stone house, with a terrace overlooking the valley. Ghida waves to us and we are greeted by her parents and little sister Lyn. I try to introduce myself in superficial Arabic. Everyone laughs at my attempt, the good mood overshadowing the sun.\u00a0<\/span><\/em><\/span><\/p>\n

We go sit outside, between the kitchen and a low wall covered with towering pine cones. I grab one to take a closer look and Oumayma, Ghida’s mother, insists on giving it to me. She explains that the seeds of this apple form pine nuts, which I quickly snack on.<\/span><\/em><\/span><\/p>\n

 <\/p>\n

Nous discutons des 2 grands fr\u00e8res qui ont quitt\u00e9 la campagne. L\u2019un fait des \u00e9tudes de m\u00e9decine en Turquie, l\u2019autre \u00e9tudie les <\/span>computer sciences<\/span><\/i> \u00e0 Beyrouth. Ghida a \u00e9tudi\u00e9 la nutrition mais peine \u00e0 trouver un travail. Avec la crise \u00e9conomique qui frappe le Liban, la concurrence est rude. Pour compl\u00e9ter sa formation, elle a rejoint le <\/span>training center<\/span><\/i> de l\u2019ONG LP4Y<\/a> ou elle apprend l\u2019anglais et comment d\u00e9velopper une petite activit\u00e9 \u00e9conomique. En attendant de trouver un emploi, elle exerce \u00e0 son compte comme coach en nutrition. En 3 mois, elle cumule pr\u00e8s de <\/span>2000 abonn\u00e9s sur Instagram <\/span><\/a>et plus de 30 clients. Ghida a compris que le monde est une machine mal huil\u00e9e qui avance gr\u00e2ce \u00e0 quelques audacieux qui donnent des coups de pied dans l\u2019engrenage. Elle ne laisse pas l\u2019inertie collective brouiller les pistes de r\u00e9ussite. Si bien que je ne sais pas si cet accueil a pour seul objectif de nous faire d\u00e9couvrir la r\u00e9gion ou s\u2019il nourrit \u00e9galement l’espoir de rejoindre notre film.\u00a0<\/span><\/span><\/p>\n

Certainement un peu des deux. Comme je profite de la d\u00e9couverte du Liban \u201crural\u201d pour imaginer des plans, des dialogues, des histoires qui viendront \u00e9toffer notre documentaire. Disons que cette balade, comme beaucoup d\u2019autres, r\u00e9unit des gens avec des int\u00e9r\u00eats communs.\u00a0<\/span><\/p>\n

 <\/p>\n

We talk about her two older brothers who have left the countryside. One is studying medicine in Turkey, the other computer sciences in Beirut. Ghida studied nutrition in the past but is struggling to find a job. With the economic crisis hitting Lebanon, the competition is tough. To complete her education, she joined the LP4Y NGO training center, where she is learning English and how to develop a small business. Until she finds a job, she is working as a freelance nutrition coach. Within three months, she reached nearly 2,000 followers on Instagram and found over 30 clients. Ghida understands that the world is a poorly-oiled machine that moves forward thanks to a few daring people who kick things into gear. She doesn’t let the general inertia cloud her path to success. So much so, that I must confess to wonder whether her invitation has for sole purpose\u00a0 to show us more of the region, or because she is hoping to make an appearance in our film<\/span><\/em><\/span><\/p>\n

Most likely a bit of both. Just as I take advantage of discovering \u00ab\u00a0rural\u00a0\u00bb Lebanon to imagine shots, dialogues and stories that will flesh out our documentary. Let’s just say that this walk, like many others, brings together people with common interests.\u00a0<\/span><\/em><\/span><\/p>\n

 <\/p>\n

\"Famille

Famille de Ghida, Liban<\/p><\/div>\n

 <\/p>\n

Khaled, le p\u00e8re de Ghida, est propri\u00e9taire d\u2019une vingtaine de ruches. Il fait du miel qu\u2019il vend dans la r\u00e9gion. Il me semble qu\u2019avant la crise \u00e9conomique il \u00e9tait soldat. Aujourd\u2019hui ce sont ses 20 reines qui l\u2019occupent une grande partie du temps. Nous le suivons \u00e0 travers les cerisiers en fleurs. Le bourdonnement ambiant me rappelle celui des lignes hautes tensions et je me demande si c\u2019est le bruit du danger. Ghida me tend une combinaison d\u2019apiculteur et je rejoins son p\u00e8re qui ouvre les ruches \u00e0 la recherche de la reine. Tout au long de sa vie, longue en moyenne de 5 ann\u00e9es, celle-ci peut produire plus d\u2019un million d\u2019\u0153ufs. Khaled, ne parlant pourtant pas anglais, s\u2019applique \u00e0 me montrer chaque ruche, chaque reine. Je m’imagine reproduire ce rituel quotidien, perdu dans les vall\u00e9es du Akkar, battre l\u2019herbe autour des essaims et lutter contre les maladies qui d\u00e9truisent les colonies. S’ensuit une \u00e9trange m\u00e9lancolie. Mathilde tient la main de Lyn qui la guide vers la maison.\u00a0<\/span><\/p>\n

 <\/p>\n

Khaled, Ghida’s father, owns around twenty beehives. He makes honey which he sells in the region. I believe he was a soldier\u00a0 before the economic crisis,. Today, his 20 bee queens keep him busy most of the time. We follow him through the cherry blossoms. The ambient hum reminds me of high-voltage power lines, and I wonder if it’s the sound of danger. Ghida hands me a beekeeper’s suit and I help his father\u00a0 and look for the queen. Over the course of her short life (five year in average), she can produce over a million eggs. Khaled, despite not speaking a word of English, takes the time to interact with me and shows me each hive and each queen. I imagine myself reproducing this daily ritual, lost in the valleys of Akkar, beating the grass around the swarms and fighting against the diseases that destroy the colonies. A strange melancholy follows. Mathilde holds Lyn’s hand, guiding her home<\/span><\/em><\/span><\/p>\n

 <\/p>\n

\"Akkar,

Plaines du Akkar, Liban<\/p><\/div>\n

 <\/p>\n

Il est temps de continuer la route. Nous remercions la famille de Ghida. Une photo s\u2019organise et Khaled me saisit par l\u2019\u00e9paule, comme un fils. Lyn se met \u00e0 pleurer. Nous promettons de revenir en Aout, avec du miel de France pour une d\u00e9gustation crois\u00e9e.\u00a0<\/span><\/p>\n

>> Par ici pour d\u00e9couvrir le second article : Eli, un toit pour sa m\u00e8re et ses soeurs.\u00a0<\/a><\/span><\/strong><\/em><\/p>\n

 <\/p>\n

It’s time to hit the road again. We thank Ghida’s family. Not before a photo is taken\u00a0 and Khaled grabs me by the shoulder, like he would with his son. Lyn starts to cry. We promise to be back in August, with honey from France for a cross-tasting.\u00a0<\/span><\/em><\/span><\/p>\n

>> Click here to read the second article: Eli,\u00a0a home for his mother and sisters.<\/a><\/span><\/em><\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

  J\u2019ai v\u00e9cu 4 mois au Liban, alors en rep\u00e9rage pour le film Youth Visions.\u00a0 Vous…<\/p>\n","protected":false},"author":1,"featured_media":3805,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[356],"tags":[961,958,965,927,962,786,963,154,959,283,964,932,222,960,133],"class_list":["post-3786","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-carnet-de-voyage","tag-abeilles","tag-akkar","tag-dieteticienne","tag-liban","tag-libanais","tag-moyen-orient","tag-paysans","tag-photographie","tag-portrait","tag-reportage","tag-ruralite","tag-syriens","tag-tourisme","tag-tranche-de-vie","tag-voyage"],"yoast_head":"\nPortraits 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